Excess | Twilight

Wednesday, May 18, 2022 - 7:00pm
Hairpin Arts Center

2810 N Milwaukee Ave | Chicago

www.chicagocomposersorchestra.org

PROGRAM

Excess | Twilight is partially supported by a grant from the Illinois Arts Council Agency.

 

 

Olivia Block

Lagoon

 

Composed in 2022 for the Chicago Composer’s Orchestra, Lagoon is a transcription of a 10 minute field recording, blended with additional field recordings from the same location.The source recordings were made in the Baja Peninsula, Mexico, on the shore of a lagoon in February, 2022. The central source recording was taken on a very calm, quiet day, and into evening. The microphone was placed near the shoreline so that in the recording water can be heard constantly lapping in the foreground. A motor boat can be hard droning far away and gray whales exhale and inhale air at various locations in the water. Occasional sea birds pass through the sonic field. 

 

The final movement of the score is a transcription of the lagoon at night, with coyotes yipping, crickets chirping, and a distant radio from a campsite.

 

Featuring guest artist Adam Sonderberg.

 

Sarah Hennies

Growing Block

 

In Growing Block I was interested in the idea of “vertical time” - that one could extract a moment and examine all the activity within that moment as its own universe. For many years I’ve been working with single sounds or patterns that seem to develop and change through extended durations even though the musical material does not develop. The growing block universe theory posits that the past and present exist but a future does not - that is, the universe is a single block that is expanding in its complexity without moving forward. The score to the piece is a block itself, a simple semi-randomly generated grid of numbers that indicate various actions for the performers.

 

Eduardo Francisco Rosario 

COMO LO CELESTE SITIADO (2020)

 

Eduardo Rosario, both an experimental musician and an artist working in sound and sculptural installations. His concerns include the afterlife of media; mapping conceptual sound ecologies; dissecting the visual representations of technological devices; how geological processes intersect with sound media; and the correlations between sound and temporary or mobile architecture.

 

Lou Mallozzi

Larvatus prodeo (2020/2022)

 

Larvatus prodeo is a sound performance for an ensemble of musicians. It conflates the musicians’ typical roles as interpreters with their personal identities and concerns, and it foregrounds what they reveal to and keep from the audience. Much of what unfolds in performing Larvatus prodeo is not predetermined by a fixed composition, but is instead the product of the musicians’ biographies and bodies, and of how these contribute to the piece’s immediate realization in a given performance. The score is a set of instructions and parameters that instigate contributions from and interactions among the musicians. The core of this is a long text that intercuts excerpts from the individual musicians’ private journals that they provide. A unique text that depends on the specific musicians involved is thereby produced for each performance. This text acts an armature for the various musical components of the work. The sonic outcome is certainly music, but this music is the product of a series of asynchronous relationships -- public and private, sounded and silenced, personal and performative -- that are inherent components of the work. 

 

“…sic ego hoc mundi teatrum conscensurus, in quo hactenus spectator exstiti, larvatus prodeo.”

 

“…now that I am about to mount the stage of the world, where I had previously been a spectator, I come forward wearing a mask.”

 

-- René Descartes, 1619

 

About CCO

The Chicago Composers Orchestra presents music by living composers, extending the orchestral tradition to be open and vibrant, to speak to contemporary live and bring diverse people together.

We envision the orchestra as a powerful vehicle for contemporary music, filled with energy and purpose for composers, performers, listeners, and their communities.

CHICAGO COMPOSERS ORCHESTRA

 

Violin 1

Katie Klocke


Violin 2

Dan Galat

      

Viola

Traci Newhouse

    

Cello

Meghan Lyda

 

Flute

Lesley Swanson

 

Oboe

Becca Dora

 

Clarinet

Alessandro Tenorio-Bucci

 

Bassoon

Nyketa Marshall

 

Horn

Stephanie Diebel

     

Trumpet

Shane Courville

 

Trombone

Colin Marusek

 

Tuba

Akshat Jain

 

Percussion

Eric Hines


 

UPCOMING EVENTS:

Nature | Human

Saturday June 4, St James Cathedral, 65 E Huron St, 7:30pm

 

A critique of the human impact on the natural world, a melding of the classical-music artform with unconventional musical objects, and a celebration of our environment. Featuring Beyond This Point percussion collective.
 

Support

Thanks to you, we are able to bring orchestral music by living composers to the Chicago community. The CCO is a non-profit 501(c)3 charitable organization. Support the CCO with a tax deductible at www.chicagocomposersorchestra.org/support

 

$5,000+

The MacArthur Funds for Arts and Culture at the Driehaus Foundation

 

$1,000-$4,999

The Paul M. Angell Family Foundation

The Department of Cultural Affairs and Special Events (DCASE)

Aaron Copland Fund for Music

The Alice M. Ditson Fund

Brandon Harrington

Illinois Arts Council Agency

The Saints

Louis Mallozzi

Kathleen Guarna

McMaster-Carr

 

$500-$999

The Cliff Dwellers Arts Foundation

Jayne Swanson

Rachel Manigault

Geoffrey F. Lory

 

$100-$499

Randall West

Daniel Lory

Michael Putin

Geoffrey Fichtl

Laural Harrington

Christine and Glenn Hayes

Josette Lory

Jackie Majdov

Philip & Patricia Morehead

Dr. James Orr

Beci & Debu Tripathy

Nathan Bethell

Mark Ferguson

$100-$499 (cont.)

Derek Fitting

Steve and Colleen Galat

Srdjan Majdov

Paul Marusek

 

$50-$99

Anonymous

Marty McLeod

Michael Kiatkowski

Seth Boustead

Hans DeKok

Layla and Eva Doss

Paul Giallorenzo

Steve Davis

Deb DeVoe

Alena Frey

Richard Harrington

Jennifer Henaghan

Janis Johnson

Jennifer Johnson

Libby Johnson

Matt Johnson

Dawn Konrady

Daniel Le

Jake Mullen

Allyson Swanson

Kiku Taura

Stephen Todd

Nicole West

 

 $1-$49

Anonymous (2)

Erica Ocampo

Facebook Matching Gift Program

Aleksandra Ciric

Ashley Harrington

Linda Berna

Dionté Durham

Katherine Griem

Lewis Kirk

$1-$49 (cont.)

Terry Park

Maureen Thurman

Laurie Fujimore

Jane Faber

Andrew S. Kohler

Ilya Levinson

Alisa Asu

Kimberly Benson

Kathleen Giotta Delano

Ayako/Nanae Kikuchi

Catherine Wolter

Stephen Anderson

Michelle Campbell

Shaun Flynn

Tim Myers

Elizabeth Shaffer-Velluto

Debii Wittrig

Daron Hagen
 

Board of Directors

Brandon Harrington, President

Daniel Jarzynski, Treasurer

Kate Guarna, Secretary

Paul Johnson

Derek Fitting

Staff

Randall West, Artistic Director

Allen Tinkham, Music Director

Erica Bittner, Development Director

Lesley Swanson, Operations Director

 

Interested in sponsoring your favorite section, an upcoming concert, or CCO’s season? Contact development@chicagocomposersorchestra.org for details.

 

Contact

General: info@chicagocomposersorchestra.org

Giving: development@chicagocomposersorchestra.org

Interested in getting involved with CCO? We would love for you to join us whether as a composer, performer, volunteer or board member, you name it! Email us at info@chicagocomposersorchestra.org.

Supporting Organizations

We thank these organizations for their generous support: